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The Force Awakens 10 years later :Pros and Cons The Worst Defences of the Disney Era of Star Wars Helldivers 2: Features We Love to See in Future Patches The Greatest Palpatine Moment You never Saw All Quiet on the Western Front “All Wrong on the Western Front”: How the 2022 Film Misrepresents WWI Germany Cleopatra “When Documentaries Blatantly Lie: Revisiting Netflix’s Queen Cleopatra” Why the 2025 Walking with Dinosaurs Reboot Failed Does This Belong in Star Wars? The Only problems with Andor Why Andor Is the Best Star Wars Show. Period.
Best/Worst Editorial Media Meta Rant Review Star Wars TV and Film Uncategorized

The Force Awakens 10 years later :Pros and Cons

Best/Worst Editorial Media Rant Star Wars TV and Film

The Worst Defences of the Disney Era of Star Wars

Animation DC Editorial History Media Meta Pitch Meeting Rant Review Star Wars Video Games

Helldivers 2: Features We Love to See in Future Patches

Best/Worst Editorial Media Meta Rant Review Star Wars TV and Film Uncategorized

The Force Awakens 10 years later :Pros and Cons

Intro In the full decade since The Force Awakens release, the entertainment landscape and Star Wars discourse changed immensely. What was once a franchise defined primarily by theatrical films has expanded into streaming series, animation, and an ongoing transmedia universe that now dominates much of Disney’s output. Even so, it cannot be denied that the impact of The Force Awakens and the films that followed reshaped the trajectory of the franchise, for better and worse. Its success reignited global enthusiasm for Star Wars, but the creative decisions made in its aftermath continue to define how the sequel era is viewed

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Best/Worst Editorial Media Rant Star Wars TV and Film

The Worst Defences of the Disney Era of Star Wars

Introduction It’s been 13 years since Disney purchased Lucasfilm, and the legacy of that decision remains one of the most divisive eras in Star Wars history. The franchise still inspires passion, but it has also become deeply polarized, with fans arguing over what Star Wars should be. The sequel trilogy — and much of the Disney-era output — certainly has its defenders. But when you look closely at the most common defenses, many of them feel less like genuine praise and more like dismissals of criticism. Instead of addressing the actual issues, these arguments deflect, minimize, or ignore the problems

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Animation DC Editorial History Media Meta Pitch Meeting Rant Review Star Wars Video Games

Helldivers 2: Features We Love to See in Future Patches

Helldivers 2 has quickly become one of my favorite games. The gunplay, teamwork, and sheer chaos of the battlefield are unmatched—but there’s always room for growth. Here are the features I’d love to see in future patches or expansions: 1. Customizable Mech Suits The mechs are already a fan-favorite, but right now they’re limited to just two main loadouts: the minigun with rockets, or the quad autocannon build that many players prefer. Both are powerful, but the lack of variety makes them feel a little constrained. Imagine if players could truly customize their suits. Not just cosmetic paint jobs and

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The Greatest Palpatine Moment You never Saw

There can be little doubt that Emperor Palpatine is one of the greatest villains in all of cinema. Everything from his hooded robes, his devious voice, to his ability to summon lightning, his debut in Return of the Jedi was one of the most memorable moments in the original trilogy. The prequels expanded the character even further, showing us a different side of the character. Palpatine is a master of duality: on one hand, the hooded, sinister figure who pulls the strings from the shadows, often appearing only as a hologram. On the other hand, his public facade is that

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“All Wrong on the Western Front”: How the 2022 Film Misrepresents WWI Germany

Introduction: A Visceral Film with Historical Blind Spots In November 2022, Netflix released what would be the third film adaptation of All Quiet on the Western Front, based on the landmark World War I novel by German veteran Erich Maria Remarque. The book presents a firmly anti-war stance, following a group of patriotic young German soldiers as they are gradually broken down—physically and emotionally—from the war’s beginning to its bitter end. Since its publication, the novel has gained international recognition, in part because it was one of the many works banned by the Nazis. Over the decades, it has become

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“When Documentaries Blatantly Lie: Revisiting Netflix’s Queen Cleopatra”

Introduction: Two Years Later, It’s Still a Mess Over the past decade, there’s been a growing push for diversity and inclusion in our media. In many cases, this is a good thing. Representation can empower audiences, challenge outdated norms, and bring attention to stories that were long ignored. But when diversity is prioritized at the expense of historical truth — especially in documentaries — we enter dangerous territory. Fiction has room to reimagine. Documentaries do not. When you present falsehoods under the banner of “fact,” you’re not just telling a story — you’re giving your audience a distorted version of

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Why the 2025 Walking with Dinosaurs Reboot Failed

A Cautionary Tale in How Not to Revive a Classic Introduction: A Lost Opportunity If there was ever a documentary that truly deserved a worthy reboot, it was Walking with Dinosaurs. The original 1999 series was revolutionary: it treated prehistoric life with the seriousness and cinematic weight of a real nature documentary. It didn’t sensationalize dinosaurs as bloodthirsty monsters, but portrayed them as animals — complex, vulnerable, and trying to survive like any other part of the natural world. Twenty-five years later, fans hoped for a revival that would honor that legacy. With updated science, better visual effects, and a

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Does This Belong in Star Wars?

Intro In the months leading up to Andor Season 2, fans were cautiously optimistic. After all, Andor Season 1 had been universally praised by critics and audiences alike for its complex characters, mature storytelling, and unflinching exploration of morality. But there was also worry — after Disney’s mishandling of The Mandalorian Season 3, and the utter dud that was The Acolyte, some feared Andor could lose the edge that made it special. Thankfully, those fears were unfounded. Season 2 has once again delivered with complex writing, worldbuilding, cinematography, and rich characters backed by fantastic performances. Like an HBO series that

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The Only problems with Andor

Of all the Star Wars shows released under the Disney umbrella, Andor had no right to be this good. The production value, the performances, the writing—it’s everything you’d expect from a prestige drama, elevated to an insane degree. It was a show that pushed the boundaries of what this franchise is capable of, and it sets a new bar for storytelling in a galaxy far, far away. That’s why it might sound strange to offer any criticism at all. In today’s media landscape, pointing out flaws can come off as you’re tearing something down. But that’s not what this is.

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Why Andor Is the Best Star Wars Show. Period.

After years of hit-or-miss Star Wars content, Andor arrived like a breath of fresh air. In a franchise weighed down by nostalgia, uneven writing, and formulaic storytelling, this series proved that Star Wars could still take risks—and succeed brilliantly. It’s not just the best Star Wars show ever made—it’s one of the best shows on television in recent years. With sharp writing, grounded performances, and mature storytelling, Andor redefines what this galaxy far, far away is capable of. Whether you’re a lifelong fan or someone who’s grown tired of lightsabers and legacy cameos, Andor stands out for all the right

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