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Live-Action Adaptation Media Pitch Meeting Star Wars

Darth Plagueis: The Miniseries

Ever since Star Wars III: Revenge of the Sith was released in 2005, one scene has stuck out from all the rest. Palpatine telling an old Sith legend, a legend that motivated Anakin to move to the Dark side: “The Tragedy of Darth Plagueis the Wise”. The Story of a Sith Lord who achieved immortality with the power to create and preserve life only to be killed in his sleep by his apprentice. What Palpatine never told Anakin was that he was that very apprentice. In 2012 Lucasbooks released what many fans believed to be one of the greatest of

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Dreamcast Media Pitch Meeting TV and Film

Hamilton 2.0: The Style, the Look, and the Feels

You’re reading part 3 of our 4-part series on adapting Lin-Manuel Miranda’s “Hamilton” for television. Read part 1 here! Continuing our adaptation of Hamilton as a miniseries, we can finally turn our attention to production – How do we want our show to look and feel? The inspiration for our wacky vision draws heavily from both HBO’s John Adams with the stylized spectacle of CGI-filed scenery of The Greatest Showman. In the pro-shot performance of the Hamilton stage production, the set design makes brilliant use of a rotating “Lazy Susan” floor to depict characters on the move, transitions to locations,

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Dreamcast History Media Pitch Meeting

Hamilton 2.0: Balancing Diversity, Accuracy, and Style

You’re reading part 2 of our 4-part series on adapting Lin-Manuel Miranda’s “Hamilton” for television. Read part 1 here! Continuing our discussion on how to film our version of Hamilton, this article will focus on our approach to casting. As a history buff, I would normally want a film adaptation to visually represent a time period and setting as much as possible. This no doubt leads to a big question that concerns me, do I want our characters to actually look like their historical counterparts or should they reflect the theme of the play? Part of Hamilton‘s genius on stage

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