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Category: TV and Film

Dreamcast Live-Action Adaptation TV and Film

Forbidden Remake: The Hunchback of Notre Dame

EDITOR’S NOTE: This article includes the gratuitous usage of the word “gypsy”. Before keyboard warrior-ing a history of the Romani people, be so kind as to actually read this article past the 3rd paragraph where we address this. – Dirk Hortensius, Editor and Armed SJW @ Crude-Mirror.com What is a “Forbidden Remake”? With Disney cashing in on live action versions of their “renaissance”-era catalogue, more and more people have discussed on the internet on “what will they needlessly re-hash next?”. However, there are some property’s that in all honesty Disney should probably not remake whether the themes are too heavy,

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Dreamcast Media Pitch Meeting TV and Film

The Irishman – Our Editor’s Cut

Spoilers. (Duh) In November 2019, Martin Scorsese returned to the gangster flick with The Irishman. Based on the book I Heard You Paint Houses by Charles Brandt, this Netflix original chronicles the nearly 50 year timespan of Frank Sheeran’s time in the Bufalino crime family and his alleged role in Jimmy Hoffa’s Disappearance. The film reunites Scorsese with Robert De Niro as hitman Frank Sheeran. This was also a first time collaboration with Al Pacino as famed union president turned racketeer, Jimmy Hoffa. The biggest standout was Joe Pesci who came out of a 20-year retirement to play the reclusive

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Dreamcast History Pitch Meeting TV and Film

Hamilton 2.0: We Tell Their Story

You’re reading part 4 of our 4-part series on adapting Lin-Manuel Miranda’s “Hamilton” for television. Read part 1 here! Finally, with format (part 1), cast (part 2), and production (part 3) figured out, it’s time to figure out how our own Hamilton: the Musical Miniseries will be structured. To sufficiently cover the characters over both the revolutionary and congressional eras of the play, we feel the appropriate duration to aim for will be roughly 7 episodes, varying from 45min-70min in length. The big goal to aim for is that each episode begins and ends with one of the bigger musical

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Dreamcast Media Pitch Meeting TV and Film

Hamilton 2.0: The Style, the Look, and the Feels

You’re reading part 3 of our 4-part series on adapting Lin-Manuel Miranda’s “Hamilton” for television. Read part 1 here! Continuing our adaptation of Hamilton as a miniseries, we can finally turn our attention to production – How do we want our show to look and feel? The inspiration for our wacky vision draws heavily from both HBO’s John Adams with the stylized spectacle of CGI-filed scenery of The Greatest Showman. In the pro-shot performance of the Hamilton stage production, the set design makes brilliant use of a rotating “Lazy Susan” floor to depict characters on the move, transitions to locations,

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