A Poorly Edited Editorial
Blue-Eye Samurai Review
What Ahsoka Gets Wrong
What “Ahsoka” Got Right
The 7 Characters We Need To See In “House Of The Dragon” Season 2
How “House of the Dragon” Succeeded Where “Rings of Power” Failed – Portrayal of its Heroines
Did “Oppenheimer” Really Need an “R” Rating?
6 Vietnam Movies That Need to be Made
7 Simple Changes That Would Fix the Star Wars Sequel Trilogy
Jedi Survivor – The Best Star Wars Game You Haven’t Played (Yet)
The Biggest Problem with Jedi Survivor (Isn’t What You Think)
If you ever watch a show you’ll know there is always a character that you don’t like. But how many times are you frustrated that they keep forcing these characters in because the filmmakers thought they were cool, deep, or the next big thing.
The Formula: Sylized CGI sets,
Slow-motion “Snyder-style” action,
Stylized Sex (and lots of it),
The guy on poster yelling “RAWR!”, and Eclectic
Electric guitars doing weird things throughout.
ght just be the worst. Now as in “worst” it’s not in terms of the story – it’s not reliant on shock value as the second season was. This season instead chooses to up the ante by betraying its own message for the sake of wasting everybody’s time by trying to redeeming an unredeemable character, along with presenting the worst 3rd person protagonist ever introduced.
Despite no longer finding a mass appeal in Hollywood proper, the Historical Epic genre maybe finding a new place on streaming services.
spite historical sword epics finding less success theatrically, they have begun to find a new form of medium in serialized TV. For a long time, such productions were impossible because they would be expensive. However, gradually building an audience first can persuade the producers to give more seasons and more financial backing.
This might be one of Ridley Scott’s best films to have come out in a long time. No doubt he was assisted a lot by the writing that Affleck Damon and Nicole Holofcener have provided with real complex characters and a strong foundation to support it
You’re reading part 3 of our Historical Epic series. Read part 1 here! Period dramas have been the kinds of films directors have pushed themselves to make. Hollywood was also in the same vein looking to try to make the next Gladiator. There has been a string of historical films with some of the same talent such as Mel Gibson’s The Patriot and Russell Crowe’s Master and Commander. However, after the mid-2000s there has been a gradual decline of such films, at least theatrically. Some of them however have found a new lease on life when they reach DVD and
COURT DRAMA, DRUG ABUSE, AND A SCHOOL SHOOTING! (Oh, My!)
You’re reading part 2 of our Historical Epic series.Read part 1 here! The filming techniques and writing that was prevalent in Braveheart and Gladiator help make Fantasy possible on the big screen. This cinematic formula reached its zenith when the Lord of the Rings trilogy hit theaters in 2001-2003. While Lord of the Rings is far from historical, there are elements from history that seep into it. Obviously, it is a medieval-esque world but with actual wizards and mystical creatures. Aragon is clearly a William Wallace type character as he serves the role of reluctant hero who fell into his
We’re going to analyze the crap out of the historical drama genre and see how its centerpieces stand up to today’s standards.
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