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Dreamcast Live-Action Adaptation TV and Film

Forbidden Remake: The Hunchback of Notre Dame

EDITOR’S NOTE: This article includes the gratuitous usage of the word “gypsy”. Before keyboard warrior-ing a history of the Romani people, be so kind as to actually read this article past the 3rd paragraph where we address this. – Dirk Hortensius, Editor and Armed SJW @ Crude-Mirror.com What is a “Forbidden Remake”? With Disney cashing in on live action versions of their “renaissance”-era catalogue, more and more people have discussed on the internet on “what will they needlessly re-hash next?”. However, there are some property’s that in all honesty Disney should probably not remake whether the themes are too heavy,

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Media Pitch Meeting Star Wars

Darth Plagueis: Episode Synopsis

You’re reading part 3 of our Darth Plagueis adaptation series. Read part 1 here! Now that we have the format and the cast laid down it is now time for an to discuss the events in the book that will take place in each episode. This consists of ten ~40m episodes selectively covering a roughly 40-year period. However, since this is an adaptation some changes ought to be made for the sake of simplicity and dramatic brevity. Changes One minor change revolves around Naboo’s reformist king Bon Tapalo and his ambassador/successor Veruna – I decided to merge them into one

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Live-Action Adaptation Media Pitch Meeting Star Wars

Darth Plagueis: The Miniseries

Ever since Star Wars III: Revenge of the Sith was released in 2005, one scene has stuck out from all the rest. Palpatine telling an old Sith legend, a legend that motivated Anakin to move to the Dark side: “The Tragedy of Darth Plagueis the Wise”. The Story of a Sith Lord who achieved immortality with the power to create and preserve life only to be killed in his sleep by his apprentice. What Palpatine never told Anakin was that he was that very apprentice. In 2012 Lucasbooks released what many fans believed to be one of the greatest of

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Dreamcast Media Pitch Meeting TV and Film

The Irishman – Our Editor’s Cut

Spoilers. (Duh) In November 2019, Martin Scorsese returned to the gangster flick with The Irishman. Based on the book I Heard You Paint Houses by Charles Brandt, this Netflix original chronicles the nearly 50 year timespan of Frank Sheeran’s time in the Bufalino crime family and his alleged role in Jimmy Hoffa’s Disappearance. The film reunites Scorsese with Robert De Niro as hitman Frank Sheeran. This was also a first time collaboration with Al Pacino as famed union president turned racketeer, Jimmy Hoffa. The biggest standout was Joe Pesci who came out of a 20-year retirement to play the reclusive

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Editorial Media Meta Politics Rant

Political Relevance and The Comey Rule – An Editorial Rant

I don’t know about you, but I think I smell Oscar Gold. – Someone, probably. On May 9, 2017 FBI director James Comey was fired by then-President Trump, citing the bureau’s ongoing investigations into alleged ties between the presidential candidate’s campaign and Russian agents. A few weeks later, Comey went to the U.S. Senate Intelligence Committee to testify on the matter of how much Comey’s investigation was tied to the Trump administration. It was a s*** show. I remember back when Comey was testifying before the senate committee with regards to his firing (before those hearings became just another sideshow

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Dreamcast History Pitch Meeting TV and Film

Hamilton 2.0: We Tell Their Story

You’re reading part 4 of our 4-part series on adapting Lin-Manuel Miranda’s “Hamilton” for television. Read part 1 here! Finally, with format (part 1), cast (part 2), and production (part 3) figured out, it’s time to figure out how our own Hamilton: the Musical Miniseries will be structured. To sufficiently cover the characters over both the revolutionary and congressional eras of the play, we feel the appropriate duration to aim for will be roughly 7 episodes, varying from 45min-70min in length. The big goal to aim for is that each episode begins and ends with one of the bigger musical

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Dreamcast Media Pitch Meeting TV and Film

Hamilton 2.0: The Style, the Look, and the Feels

You’re reading part 3 of our 4-part series on adapting Lin-Manuel Miranda’s “Hamilton” for television. Read part 1 here! Continuing our adaptation of Hamilton as a miniseries, we can finally turn our attention to production – How do we want our show to look and feel? The inspiration for our wacky vision draws heavily from both HBO’s John Adams with the stylized spectacle of CGI-filed scenery of The Greatest Showman. In the pro-shot performance of the Hamilton stage production, the set design makes brilliant use of a rotating “Lazy Susan” floor to depict characters on the move, transitions to locations,

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Dreamcast History Media Pitch Meeting

Hamilton 2.0: Balancing Diversity, Accuracy, and Style

You’re reading part 2 of our 4-part series on adapting Lin-Manuel Miranda’s “Hamilton” for television. Read part 1 here! Continuing our discussion on how to film our version of Hamilton, this article will focus on our approach to casting. As a history buff, I would normally want a film adaptation to visually represent a time period and setting as much as possible. This no doubt leads to a big question that concerns me, do I want our characters to actually look like their historical counterparts or should they reflect the theme of the play? Part of Hamilton‘s genius on stage

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